Break Stuff
Limp Bizkit
A pounding seven-string nu metal riff.
What is the Break Stuff guitar tone?
The Break Stuff guitar tone is a pounding seven-string nu metal riff, heard on Limp Bizkit's 1990s rap metal recording. It is a distorted riff tone, and Limp Bizkit reportedly tracked it with an Ibanez seven-string, since Significant Other was Wes Borland's first attempt at using a seven-string guitar, which Wikipedia says was inspired by Korn, and he was endorsed by Ibanez and owned several rare models to record the album, among them the RG7 CST, played through the Mesa/Boogie Dual and Triple Rectifier amps that he used for Limp Bizkit's first three albums, though no source read here places a particular guitar or amp on this song; Wikipedia also says he used Ibanez seven-strings exclusively from 1997 until 1999, toured the album with two custom Ibanez RG seven-strings wired with two volume and two tone knobs, and in the late 1990s played them like a six-string, tuning the highest string to C# as well while keeping C# standard tuning down to the seventh string, and he has called the Dual Rectifier that Three Dollar Bill, Y'all was recorded on his first touring head; the band chose producer Terry Date for his work with Pantera, White Zombie and Deftones, and Borland said Date does not get overly involved at the music end of things but fools with sound and sonically makes everything perfect, getting sounds that translate really well on tape; his playing of the time, Wikipedia says, made use of octave shapes and choppy eighth-note rhythms, sometimes with his left hand muting the strings for a percussive sound, and the band were opposed to solos on the album; it was released in 1999 as the album's fourth and final single, alongside N 2 Gether Now, its video won the MTV Video Music Award for Best Rock Video in 2000, and in 2022 Louder Sound and Kerrang each named it Limp Bizkit's greatest song. Here the riff is a seven-string through a high-gain Mesa/Boogie Rectifier, his amps of the era, played in choppy, muted bursts, so the weight comes from the low strings and the amp rather than from pedals.
You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.
Break Stuff amp settings: a starting point
On a generic five-knob amp, start at Gain 7, Bass 5, Middle 6, Treble 6, Presence 6, Reverb 0, with the bridge pickup.
- Gain 7
- Bass 5
- Middle 6
- Treble 6
- Presence 6
- Reverb 0
- Signal chain
- Mesa/Boogie Rectifier distortion (his amps of the era)
- The control that matters most
- A tight low end and a choppy right hand. Borland's riffs of the era are a seven-string through a Mesa/Boogie Rectifier, so set a high-gain Rectifier-style sound, tighten the bass so the low strings stay punchy, and play the riff in choppy, muted bursts, the percussive style Wikipedia describes.
These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. A first plan starts with 7 days free, $0 today.
Adapt these to my amp- Pickup
- Bridge pickup
These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.
Does the Break Stuff tone sound off on your amp?
Pick what you hear. You get the knobs to turn from the starting point above, and how far.
What gear did Limp Bizkit use on Break Stuff?
An Ibanez seven-string, since Significant Other was Wes Borland's first attempt at using a seven-string guitar, which Wikipedia says was inspired by Korn, and he was endorsed by Ibanez and owned several rare models to record the album, among them the RG7 CST, played through the Mesa/Boogie Dual and Triple Rectifier amps that he used for Limp Bizkit's first three albums, though no source read here places a particular guitar or amp on this song; Wikipedia also says he used Ibanez seven-strings exclusively from 1997 until 1999, toured the album with two custom Ibanez RG seven-strings wired with two volume and two tone knobs, and in the late 1990s played them like a six-string, tuning the highest string to C# as well while keeping C# standard tuning down to the seventh string, and he has called the Dual Rectifier that Three Dollar Bill, Y'all was recorded on his first touring head; the band chose producer Terry Date for his work with Pantera, White Zombie and Deftones, and Borland said Date does not get overly involved at the music end of things but fools with sound and sonically makes everything perfect, getting sounds that translate really well on tape; his playing of the time, Wikipedia says, made use of octave shapes and choppy eighth-note rhythms, sometimes with his left hand muting the strings for a percussive sound, and the band were opposed to solos on the album; it was released in 1999 as the album's fourth and final single, alongside N 2 Gether Now, its video won the MTV Video Music Award for Best Rock Video in 2000, and in 2022 Louder Sound and Kerrang each named it Limp Bizkit's greatest song.
Sources: Wikipedia: Significant Other (album), Wikipedia: Wes Borland, Guitar World: Wes Borland's gear sale, with the Mesa/Boogie head from Three Dollar Bill, Y'all, Wikipedia: Break Stuff
Tonelify's tone matcher reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.
How do you get the Break Stuff tone on your own amp?
Tell us your guitar, amp, and pedals
AI researches the original tone of Break Stuff
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Break Stuff tone questions
What amp settings do you need for Break Stuff?
On a generic five-knob amp, start at Gain 7, Bass 5, Middle 6, Treble 6, Presence 6, Reverb 0, with the bridge pickup. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same pounding seven-string nu metal riff from different positions.
What amp did Wes Borland use on Break Stuff?
Amp: Mesa/Boogie Dual and Triple Rectifiers, his amps on the band's first three albums. Guitar: Ibanez seven-strings, his guitars on the album (Wikipedia). Sources: Wikipedia and Guitar World.
What were Wes Borland's amp settings on Break Stuff?
None of the sources cited on this page gives Wes Borland's full amp settings on Break Stuff. The numbers here are a starting point for that kind of part, not the settings from the session, and Tonelify rewrites them for the amp and guitar you own.
How do you get Wes Borland's tone on Break Stuff?
A tight low end and a choppy right hand. Borland's riffs of the era are a seven-string through a Mesa/Boogie Rectifier, so set a high-gain Rectifier-style sound, tighten the bass so the low strings stay punchy, and play the riff in choppy, muted bursts, the percussive style Wikipedia describes. Play it with the bridge pickup.
Can you get the Break Stuff tone without the original gear?
Yes. The parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order, and those translate to other equipment. Tonelify's adaptation step works them out for the amp and guitar you own.
Does Tonelify cost anything to try?
A match for your own gear takes a plan, and a first plan starts with 7 days free with nothing charged that day: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.