Creeping Death
A crunchy, open-chord thrash riff.
What is the Creeping Death guitar tone?
The Creeping Death guitar tone is a crunchy, open-chord thrash riff, heard on Metallica's 1980s thrash metal recording. It is a distorted riff tone, and Metallica reportedly tracked it with the Gibson Explorer that James Hetfield told Guitar World in 2009 he had by the time of Ride the Lightning, a shape he says he grew to love better than the V, though Ground Guitar says he played his Electra Flying V copy on the band's first two albums, and quotes him saying it felt like Ride the Lightning when he plugged it in again years later; Guitar.com says he bought a new Marshall JMP 2203 before the album, to replace the modded Marshall stolen in Boston, and drove it a little harder with an old Ibanez Tube Screamer, while Kirk Hammett remembers producer Flemming Rasmussen calling the music stores in Copenhagen to bring down all their Marshalls and the band using a great-sounding head that belonged to a player in another band, dubbed the Best Sounding Marshall in Denmark, for most of the album; for this song Hammett said in the same 2009 interview that he was still using his black Flying V and a Boss distortion pedal through Marshall amps with a TC Electronic EQ, and that Rasmussen suggested double-tracking the solo to make it thicker and fuller, though in a later Guitar World interview he said there has been a Tube Screamer for the solos on Ride the Lightning and every album since; Rasmussen told Tape Op the album went to 24-track tape through his Trident A Range console, with a Shure SM7 and a Neumann U87 close on the center of one speaker cone, most guitars recorded through two cabinets with an AKG The Tube on each at 45 degrees and three to six feet away, and Brüel & Kjær 4006 room mics 10 to 15 feet back; Hetfield played Hammett the riff right after recording Kill 'Em All, really slowly, like half time, and it sped up over time, Cliff Burton wrote its harmony part, and the crunchy "Die by my hand" breakdown, the band's first big gang-vocal chant in Hetfield's words, comes from a riff Hammett wrote at 16 or 17, which Louder says first appeared in the Exodus song Die By His Hand; Hetfield later described it as a song of open chords carried by the vocals with a real catchy chorus, and the title is a remark Burton made while watching the final plague in The Ten Commandments with Lars Ulrich and Hetfield; first played live on 4 November 1983 at the Country Club in Reseda, it was recorded at Sweet Silence Studios in Copenhagen between 20 February and 14 March 1984, rhythm guitar and drums first, and released on 23 November 1984 as the album's only commercial single, and it is now the band's second-most-played song live. Tones in this style live or die on tight low end and a scooped midrange, with the picking hand doing as much of the work as the amp.
You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.
Creeping Death amp settings: a starting point
On a generic five-knob amp, start at Gain 8, Bass 6, Middle 3, Treble 7, Presence 6, Reverb 1, with the bridge pickup.
- Gain 8
- Bass 6
- Middle 3
- Treble 7
- Presence 6
- Reverb 1
- Signal chain
- Ibanez Tube Screamer as a boost (Hetfield) → Marshall distortion
- The control that matters most
- The boost, not more gain. Hetfield pushed his Marshall with a Tube Screamer to stand in for the stolen amp's mod, so set a Marshall-style crunch with moderate gain, add a Tube Screamer-style boost with the drive low and the level up, and keep the open chords clear under the vocals. Hammett named a Boss distortion pedal for this solo in 2009 and later said a Tube Screamer has driven his solos since this album, so either one into the same amp follows one of his accounts, and doubling the solo thickens it the way Rasmussen suggested.
These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. A first plan starts with 7 days free, $0 today.
Adapt these to my amp- Pickup
- Bridge pickup
These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.
Does the Creeping Death tone sound off on your amp?
Pick what you hear. You get the knobs to turn from the starting point above, and how far.
What gear did Metallica use on Creeping Death?
The Gibson Explorer that James Hetfield told Guitar World in 2009 he had by the time of Ride the Lightning, a shape he says he grew to love better than the V, though Ground Guitar says he played his Electra Flying V copy on the band's first two albums, and quotes him saying it felt like Ride the Lightning when he plugged it in again years later; Guitar.com says he bought a new Marshall JMP 2203 before the album, to replace the modded Marshall stolen in Boston, and drove it a little harder with an old Ibanez Tube Screamer, while Kirk Hammett remembers producer Flemming Rasmussen calling the music stores in Copenhagen to bring down all their Marshalls and the band using a great-sounding head that belonged to a player in another band, dubbed the Best Sounding Marshall in Denmark, for most of the album; for this song Hammett said in the same 2009 interview that he was still using his black Flying V and a Boss distortion pedal through Marshall amps with a TC Electronic EQ, and that Rasmussen suggested double-tracking the solo to make it thicker and fuller, though in a later Guitar World interview he said there has been a Tube Screamer for the solos on Ride the Lightning and every album since; Rasmussen told Tape Op the album went to 24-track tape through his Trident A Range console, with a Shure SM7 and a Neumann U87 close on the center of one speaker cone, most guitars recorded through two cabinets with an AKG The Tube on each at 45 degrees and three to six feet away, and Brüel & Kjær 4006 room mics 10 to 15 feet back; Hetfield played Hammett the riff right after recording Kill 'Em All, really slowly, like half time, and it sped up over time, Cliff Burton wrote its harmony part, and the crunchy "Die by my hand" breakdown, the band's first big gang-vocal chant in Hetfield's words, comes from a riff Hammett wrote at 16 or 17, which Louder says first appeared in the Exodus song Die By His Hand; Hetfield later described it as a song of open chords carried by the vocals with a real catchy chorus, and the title is a remark Burton made while watching the final plague in The Ten Commandments with Lars Ulrich and Hetfield; first played live on 4 November 1983 at the Country Club in Reseda, it was recorded at Sweet Silence Studios in Copenhagen between 20 February and 14 March 1984, rhythm guitar and drums first, and released on 23 November 1984 as the album's only commercial single, and it is now the band's second-most-played song live.
Sources: Guitar World: Hetfield and Hammett on Metallica's key songs (2009), Guitar World: Kirk Hammett talks Ride the Lightning, Guitar.com: Metallica gear facts, Ground Guitar: James Hetfield's Electra Flying V, Tape Op: Flemming Rasmussen, riding the Sweet Silence, Louder: the story behind Ride the Lightning, Wikipedia: Ride the Lightning, Wikipedia: Creeping Death
James Hetfield's amps and guitars on every album →Tonelify's tone matcher reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.
How do you get the Creeping Death tone on your own amp?
Tell us your guitar, amp, and pedals
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Creeping Death tone questions
What amp settings do you need for Creeping Death?
On a generic five-knob amp, start at Gain 8, Bass 6, Middle 3, Treble 7, Presence 6, Reverb 1, with the bridge pickup. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same crunchy, open-chord thrash riff from different positions.
What amp did James Hetfield and Kirk Hammett use on Creeping Death?
Amp: Marshall heads (a JMP 2203 or a borrowed one), Tube Screamer; accounts differ on the solo pedal. Guitar: Hetfield's Gibson Explorer by his account, an Electra V copy by others; Hammett's black Flying V. Sources: Guitar World, Guitar.com, Ground Guitar, Tape Op, Louder and Wikipedia.
What were James Hetfield and Kirk Hammett's amp settings on Creeping Death?
None of the sources cited on this page gives James Hetfield and Kirk Hammett's full amp settings on Creeping Death. The numbers here are a starting point for that kind of part, not the settings from the session, and Tonelify rewrites them for the amp and guitar you own.
How do you get James Hetfield and Kirk Hammett's tone on Creeping Death?
The boost, not more gain. Hetfield pushed his Marshall with a Tube Screamer to stand in for the stolen amp's mod, so set a Marshall-style crunch with moderate gain, add a Tube Screamer-style boost with the drive low and the level up, and keep the open chords clear under the vocals. Hammett named a Boss distortion pedal for this solo in 2009 and later said a Tube Screamer has driven his solos since this album, so either one into the same amp follows one of his accounts, and doubling the solo thickens it the way Rasmussen suggested. Play it with the bridge pickup.
Can you get the Creeping Death tone without the original gear?
Yes. The parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order, and those translate to other equipment. Tonelify's adaptation step works them out for the amp and guitar you own.
Does Tonelify cost anything to try?
A match for your own gear takes a plan, and a first plan starts with 7 days free with nothing charged that day: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.