Tonelify
Reviewed
DistortedSoloFunk Rock1970s

That Lady

The Isley Brothers

A phase-shifted fuzz lead over a funky, wah-accented rhythm.

What is the That Lady guitar tone?

The That Lady guitar tone is a phase-shifted fuzz lead over a funky, wah-accented rhythm, heard on The Isley Brothers' 1970s funk rock recording. It is a distorted solo tone, and The Isley Brothers reportedly tracked it with a black 1971 Fender Stratocaster with a rosewood fretboard, which Ernie Isley bought new at Manny's in New York on Christmas Eve with a blank check from his brother Ronald, played on the neck pickup for the fuzz lead and the bridge pickup for the rhythm track, into a Fender Twin Reverb, which Isley later named as his amp on the song, in Guitar World's account; the phased fuzz came from an Electro-Harmonix Big Muff and a Maestro phase shifter, both mentioned in a September 1981 Guitar Player feature on him, and Guitar World points out that the long-repeated story of a Roland Jet Phaser cannot be right, since Roland did not introduce it until 1975; his clean rhythm part has percussive Cry Baby wah accents, a technique he learned from Charles Pitts, who played the wah part on Theme from Shaft; the Isley Brothers reworked their 1964 vocal single Who's That Lady? as a funk rock track at the Record Plant in Los Angeles in 1973, while Stevie Wonder was recording Innervisions in another studio there, for the album 3 + 3; the single spent three weeks at number 6 on the Billboard Hot 100, reached number 2 on the R&B chart and number 14 in the UK, and was certified gold in October 1973. Here the lead is a fuzz pedal and a slow phaser into a clean, bright Twin, so the swirl and the sustain come from the pedals while the amp stays clean.

You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.

That Lady amp settings: a starting point

On a generic five-knob amp, start at Gain 5.5, Bass 4, Middle 7, Treble 7, Presence 6, Reverb 2 for the fuzz lead, with the neck pickup. There is a second setting for the clean wah rhythm below.

  • Gain 5.5
  • Bass 4
  • Middle 7
  • Treble 7
  • Presence 6
  • Reverb 2
Signal chain
Electro-Harmonix Big Muff → Maestro PS-1A phase shifter, slow → Cry Baby wah on the rhythm part
The control that matters most
A clean, bright amp under the fuzz. Guitar World's tip is a clean setting that favours treble, for cut on the fuzz lead and sheen on the rhythm part, so keep the amp clean, put the fuzz and a slow phaser in front, and play the lead on the neck pickup.

These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. A first plan starts with 7 days free, $0 today.

Adapt these to my amp
Pickup
Neck pickup

These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.

Second sound

That Lady amp settings for the clean wah rhythm

For the clean wah rhythm, start at Gain 2, Bass 4, Middle 6, Treble 7, Presence 6, Reverb 3, with the bridge pickup.

  • Gain 2
  • Bass 4
  • Middle 6
  • Treble 7
  • Presence 6
  • Reverb 3
Signal chain
Cry Baby wah
Where the song switches
Guitar World has the fuzz lead on the Strat's neck pickup and the clean rhythm part, with its percussive wah accents, on the bridge pickup.
Pickup
Bridge pickup

The same reference as the panel above: positions on a generic five-knob amp, a starting point rather than the settings on the record.

Does the That Lady tone sound off on your amp?

Pick what you hear. You get the knobs to turn from the starting point above, and how far. It works from the setting for the fuzz lead.

Published settings

What amp settings did Ernie Isley use on That Lady?

Volume 5, treble 7, middle 6 and bass 3 with the bright switch on and the reverb, speed and intensity at 0, on input 1 of the vibrato channel of a Fender Twin Reverb from around 1970 to 1973; a Ram's Head Big Muff Pi at volume 7, tone 8 and sustain 6, a Maestro PS-1A on its slow setting and a Cry Baby wah; and the Strat's neck pickup for the fuzz lead and bridge pickup for the rhythm, with volume 10, neck tone 8 and middle tone 10. That is Chris Gill's settings box in Guitar World's feature on the song, which does not say where the numbers came from, so read them as the magazine's reconstruction rather than a note from the session.

Source: Guitar World: the secrets behind Ernie Isley's guitar tone on That Lady

What gear did The Isley Brothers use on That Lady?

A black 1971 Fender Stratocaster with a rosewood fretboard, which Ernie Isley bought new at Manny's in New York on Christmas Eve with a blank check from his brother Ronald, played on the neck pickup for the fuzz lead and the bridge pickup for the rhythm track, into a Fender Twin Reverb, which Isley later named as his amp on the song, in Guitar World's account; the phased fuzz came from an Electro-Harmonix Big Muff and a Maestro phase shifter, both mentioned in a September 1981 Guitar Player feature on him, and Guitar World points out that the long-repeated story of a Roland Jet Phaser cannot be right, since Roland did not introduce it until 1975; his clean rhythm part has percussive Cry Baby wah accents, a technique he learned from Charles Pitts, who played the wah part on Theme from Shaft; the Isley Brothers reworked their 1964 vocal single Who's That Lady? as a funk rock track at the Record Plant in Los Angeles in 1973, while Stevie Wonder was recording Innervisions in another studio there, for the album 3 + 3; the single spent three weeks at number 6 on the Billboard Hot 100, reached number 2 on the R&B chart and number 14 in the UK, and was certified gold in October 1973.

Sources: Guitar World: the secrets behind Ernie Isley's guitar tone on That Lady, Wikipedia: That Lady (song)

Tonelify's tone matcher reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.

How do you get the That Lady tone on your own amp?

1

Tell us your guitar, amp, and pedals

2

AI researches the original tone of That Lady

3

Get exact knob settings adapted to your rig

That Lady tone questions

What amp settings do you need for That Lady?

On a generic five-knob amp, start at Gain 5.5, Bass 4, Middle 7, Treble 7, Presence 6, Reverb 2 for the fuzz lead, with the neck pickup, and at Gain 2, Bass 4, Middle 6, Treble 7, Presence 6, Reverb 3 for the clean wah rhythm, with the bridge pickup. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same phase-shifted fuzz lead over a funky, wah-accented rhythm from different positions.

Does That Lady use one amp setting or two?

Two. Guitar World has the fuzz lead on the Strat's neck pickup and the clean rhythm part, with its percussive wah accents, on the bridge pickup. On a generic five-knob amp, start at Gain 5.5, Bass 4, Middle 7, Treble 7, Presence 6, Reverb 2 for the fuzz lead, and at Gain 2, Bass 4, Middle 6, Treble 7, Presence 6, Reverb 3 for the clean wah rhythm.

What amp did Ernie Isley use on That Lady?

Amp: Fender Twin Reverb. Guitar: Black 1971 Fender Stratocaster. Sources: Guitar World and Wikipedia.

How do you get Ernie Isley's tone on That Lady?

A clean, bright amp under the fuzz. Guitar World's tip is a clean setting that favours treble, for cut on the fuzz lead and sheen on the rhythm part, so keep the amp clean, put the fuzz and a slow phaser in front, and play the lead on the neck pickup. Play it with the neck pickup.

What tuning is That Lady in?

Standard tuning: E A D G B E, low string to high, according to Guitar World.

Source: Guitar World: the secrets behind Ernie Isley's guitar tone on That Lady

Can you get the That Lady tone without the original gear?

Yes. The parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order, and those translate to other equipment. Tonelify's adaptation step works them out for the amp and guitar you own.

Does Tonelify cost anything to try?

A match for your own gear takes a plan, and a first plan starts with 7 days free with nothing charged that day: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.

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