Tush
A raw, shuffling 12-bar riff with a slide lead.
What is the Tush guitar tone?
The Tush guitar tone is a raw, shuffling 12-bar riff with a slide lead, heard on ZZ Top's 1970s blues rock recording. It is a distorted riff tone, and ZZ Top reportedly tracked it with a sunburst 1959 Gibson Les Paul, Pearly Gates, which Billy Gibbons bought from a Texas rancher for $250 in 1968 and which, Guitar Player says, he was playing as usual on Tush, though no source read here names the amp on the take; on Tres Hombres, the album before, MusicRadar says Gibbons teamed a 1955 Strat with his Marshall Super Lead; Gibbons told Guitar Player the song took shape on 23 May 1974 at the Lauderdale Coliseum in Florence, Alabama, an afternoon blow-out in a rodeo arena with a dirt floor, where they hit one lick and the lighting director came rushing forward to say don't change a thing, that within three minutes they had it, a simple shuffle on the tried-and-true 12-bar blues changes, and that after playing it live, by the time they got it to the studio it was a one-take room full of noise; the title came from Tush Hog, the instrumental on the flip side of Roy Head's Treat Her Right, a Texas term for something rich and top of the line; Dusty Hill sang it, Bill Ham produced it and Terry Manning recorded and mixed it, Cash Box singled out its slide lead guitar, and the single, released in July 1975 from the half-live, half-studio Fandango!, reached number 20 on the Billboard Hot 100, the band's first real hit single. This lives right on the edge of breakup, where the volume knob on the guitar does the real work between clean and dirty.
You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.
Tush amp settings: a starting point
On a generic five-knob amp, start at Gain 4, Bass 5, Middle 6, Treble 6, Presence 5, Reverb 3, with the bridge pickup.
- Gain 4
- Bass 5
- Middle 6
- Treble 6
- Presence 5
- Reverb 3
- Signal chain
- Slide on the lead (Cash Box) → Amp drive; the take's amp is not documented
- The control that matters most
- A loud, live shuffle. Gibbons calls the take a one-take room full of noise, so set the amp at the edge of breakup and loud enough to feel the room, keep the shuffle tight and use the guitar's volume to move between rhythm and lead, then switch to a slide for the lead lines rather than adding gain.
These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. A first plan starts with 7 days free, $0 today.
Adapt these to my amp- Pickup
- Bridge pickup
These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.
Does the Tush tone sound off on your amp?
Pick what you hear. You get the knobs to turn from the starting point above, and how far.
What gear did ZZ Top use on Tush?
A sunburst 1959 Gibson Les Paul, Pearly Gates, which Billy Gibbons bought from a Texas rancher for $250 in 1968 and which, Guitar Player says, he was playing as usual on Tush, though no source read here names the amp on the take; on Tres Hombres, the album before, MusicRadar says Gibbons teamed a 1955 Strat with his Marshall Super Lead; Gibbons told Guitar Player the song took shape on 23 May 1974 at the Lauderdale Coliseum in Florence, Alabama, an afternoon blow-out in a rodeo arena with a dirt floor, where they hit one lick and the lighting director came rushing forward to say don't change a thing, that within three minutes they had it, a simple shuffle on the tried-and-true 12-bar blues changes, and that after playing it live, by the time they got it to the studio it was a one-take room full of noise; the title came from Tush Hog, the instrumental on the flip side of Roy Head's Treat Her Right, a Texas term for something rich and top of the line; Dusty Hill sang it, Bill Ham produced it and Terry Manning recorded and mixed it, Cash Box singled out its slide lead guitar, and the single, released in July 1975 from the half-live, half-studio Fandango!, reached number 20 on the Billboard Hot 100, the band's first real hit single.
Sources: Guitar Player: Billy Gibbons on how a soundcheck jam turned into Tush, MusicRadar: Billy Gibbons picks his standout moments with ZZ Top, Wikipedia: Tush (ZZ Top song), Wikipedia: Fandango!
Tonelify's tone matcher reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.
How do you get the Tush tone on your own amp?
Tell us your guitar, amp, and pedals
AI researches the original tone of Tush
Get exact knob settings adapted to your rig
Tush tone questions
What amp settings do you need for Tush?
On a generic five-knob amp, start at Gain 4, Bass 5, Middle 6, Treble 6, Presence 5, Reverb 3, with the bridge pickup. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same raw, shuffling 12-bar riff with a slide lead from different positions.
What amp did Billy Gibbons use on Tush?
Amp: Not documented; a Marshall Super Lead was his amp on Tres Hombres (not placed on this song). Guitar: Pearly Gates, his sunburst 1959 Gibson Les Paul (Guitar Player). Sources: Guitar Player, MusicRadar and Wikipedia.
What were Billy Gibbons' amp settings on Tush?
None of the sources cited on this page gives Billy Gibbons' full amp settings on Tush. The numbers here are a starting point for that kind of part, not the settings from the session, and Tonelify rewrites them for the amp and guitar you own.
How do you get Billy Gibbons' tone on Tush?
A loud, live shuffle. Gibbons calls the take a one-take room full of noise, so set the amp at the edge of breakup and loud enough to feel the room, keep the shuffle tight and use the guitar's volume to move between rhythm and lead, then switch to a slide for the lead lines rather than adding gain. Play it with the bridge pickup.
Can you get the Tush tone without the original gear?
Yes. The parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order, and those translate to other equipment. Tonelify's adaptation step works them out for the amp and guitar you own.
Does Tonelify cost anything to try?
A match for your own gear takes a plan, and a first plan starts with 7 days free with nothing charged that day: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.