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DistortedRiffPunk Rock2000s

Welcome to the Black Parade

My Chemical Romance

A fast, heavily layered punk-rock guitar burst.

What is the Welcome to the Black Parade guitar tone?

The Welcome to the Black Parade guitar tone is a fast, heavily layered punk-rock guitar burst, heard on My Chemical Romance's 2000s punk rock recording. It is a distorted riff tone, and My Chemical Romance reportedly tracked it with the Gibson Les Paul Standard with Seymour Duncan Phat Cat pickups that Ray Toro told Seymour Duncan was the main guitar he used on The Black Parade, through a 100-watt Marshall JCM800 head that producer Rob Cavallo lent him when his own Marshall DSL100 broke down in preproduction in Los Angeles, the loudest and ballsiest amp he says he has ever heard, run into a Marshall cabinet, which he calls the main setup; for other textures, like an Electro-Harmonix Big Muff or another distortion pedal, they usually ran through a Hiwatt head, any time there was a heavier riff they used a Roland MIDI guitar synthesizer, usually doubling it two octaves lower, and much of what you hear is straight guitar tones, heavily layered, from a band that likes to plug straight into the amp; no source read here places a guitar or an amp on this song alone, or documents Frank Iero's rig; Toro plays all the solos on the records and usually the harmonized leads, while Iero plays the octave runs, the chorus parts and the counter melodies in the verses; Toro calls the song the band's Bohemian Rhapsody: it began at the start of the band as a slow, chordal song called The Five of Us Are Dying, which he likens to Frank Sinatra's My Way, missed their first two records, and came together in Los Angeles when they added a fast punk beat and changed one note in the chorus, which gave Gerard Way the hook, while Wikipedia says the band only finished it after attaching a piano line Cavallo had written to its beginning; the album was recorded between April and August 2006, mostly at the Paramour Mansion, and this song at Eldorado Recording Studios; it moves from G major to A major and from 75 to 194 beats per minute in half time, and it came out as the album's lead single on 12 September 2006, the band's only UK number one and their highest-charting song on the Billboard Hot 100, at number nine. Punk rhythm tones are loud, dry and mid-forward, with enough gain to hold power chords together and not so much that fast downstrokes smear.

You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.

Welcome to the Black Parade amp settings: a starting point

On a generic five-knob amp, start at Gain 6, Bass 5, Middle 6, Treble 6, Presence 5, Reverb 1, with the bridge pickup.

  • Gain 6
  • Bass 5
  • Middle 6
  • Treble 6
  • Presence 5
  • Reverb 1
Signal chain
Marshall JCM800 crunch, straight into the amp (album account)
The control that matters most
The layers, not one big sound. Toro says the album's guitars are straight amp tones, heavily layered, with heavier riffs usually doubled two octaves down by a guitar synth, so keep one loud Marshall-style crunch with the mids in, double the part, and add an octave-down layer when the riff gets heavy; an octave pedal stands in for the synth.

These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. A first plan starts with 7 days free, $0 today.

Adapt these to my amp
Pickup
Bridge pickup

These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.

Does the Welcome to the Black Parade tone sound off on your amp?

Pick what you hear. You get the knobs to turn from the starting point above, and how far.

What gear did My Chemical Romance use on Welcome to the Black Parade?

The Gibson Les Paul Standard with Seymour Duncan Phat Cat pickups that Ray Toro told Seymour Duncan was the main guitar he used on The Black Parade, through a 100-watt Marshall JCM800 head that producer Rob Cavallo lent him when his own Marshall DSL100 broke down in preproduction in Los Angeles, the loudest and ballsiest amp he says he has ever heard, run into a Marshall cabinet, which he calls the main setup; for other textures, like an Electro-Harmonix Big Muff or another distortion pedal, they usually ran through a Hiwatt head, any time there was a heavier riff they used a Roland MIDI guitar synthesizer, usually doubling it two octaves lower, and much of what you hear is straight guitar tones, heavily layered, from a band that likes to plug straight into the amp; no source read here places a guitar or an amp on this song alone, or documents Frank Iero's rig; Toro plays all the solos on the records and usually the harmonized leads, while Iero plays the octave runs, the chorus parts and the counter melodies in the verses; Toro calls the song the band's Bohemian Rhapsody: it began at the start of the band as a slow, chordal song called The Five of Us Are Dying, which he likens to Frank Sinatra's My Way, missed their first two records, and came together in Los Angeles when they added a fast punk beat and changed one note in the chorus, which gave Gerard Way the hook, while Wikipedia says the band only finished it after attaching a piano line Cavallo had written to its beginning; the album was recorded between April and August 2006, mostly at the Paramour Mansion, and this song at Eldorado Recording Studios; it moves from G major to A major and from 75 to 194 beats per minute in half time, and it came out as the album's lead single on 12 September 2006, the band's only UK number one and their highest-charting song on the Billboard Hot 100, at number nine.

Sources: Seymour Duncan: Ray Toro of My Chemical Romance, Wikipedia: Welcome to the Black Parade, Wikipedia: The Black Parade

Tonelify's tone matcher reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.

How do you get the Welcome to the Black Parade tone on your own amp?

1

Tell us your guitar, amp, and pedals

2

AI researches the original tone of Welcome to the Black Parade

3

Get exact knob settings adapted to your rig

Welcome to the Black Parade tone questions

What amp settings do you need for Welcome to the Black Parade?

On a generic five-knob amp, start at Gain 6, Bass 5, Middle 6, Treble 6, Presence 5, Reverb 1, with the bridge pickup. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same fast, heavily layered punk-rock guitar burst from different positions.

What amp did Ray Toro and Frank Iero use on Welcome to the Black Parade?

Amp: Album rig (Rob Cavallo's 100-watt Marshall JCM800 and a Marshall cabinet). Guitar: Toro's Les Paul Standard with Phat Cats (album account); Iero's not documented. Sources: Seymour Duncan and Wikipedia.

What were Ray Toro and Frank Iero's amp settings on Welcome to the Black Parade?

None of the sources cited on this page gives Ray Toro and Frank Iero's full amp settings on Welcome to the Black Parade. The numbers here are a starting point for that kind of part, not the settings from the session, and Tonelify rewrites them for the amp and guitar you own.

How do you get Ray Toro and Frank Iero's tone on Welcome to the Black Parade?

The layers, not one big sound. Toro says the album's guitars are straight amp tones, heavily layered, with heavier riffs usually doubled two octaves down by a guitar synth, so keep one loud Marshall-style crunch with the mids in, double the part, and add an octave-down layer when the riff gets heavy; an octave pedal stands in for the synth. Play it with the bridge pickup.

Can you get the Welcome to the Black Parade tone without the original gear?

Yes. The parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order, and those translate to other equipment. Tonelify's adaptation step works them out for the amp and guitar you own.

Does Tonelify cost anything to try?

A match for your own gear takes a plan, and a first plan starts with 7 days free with nothing charged that day: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.

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