Brothers in Arms
A slow, singing Les Paul lead built from a few long, sustained notes.
What is the Brothers in Arms guitar tone?
The Brothers in Arms guitar tone is a slow, singing Les Paul lead built from a few long, sustained notes, heard on Dire Straits' 1980s rock ballad recording. It is a distorted solo tone, and Dire Straits reportedly tracked it with a 1983 Gibson Les Paul '59 Reissue, bought at Rudy's Music in New York, which Guitar World says drove both this song and Money for Nothing; Mark Knopfler's guitar tech Ron Eve says he pushed him towards the Les Paul against some early resistance and remembers him, if he recalls it rightly, on the neck pickup with the tone rolled off, winding up the sustain and holding the notes, and Eve does not think the part could have been played on any other guitar; the amp of the sessions was Eve's own Marshall JTM45 into the studio's Laney 4x12 cabinet, an idea Knopfler thinks he took from the Bluesbreakers album, and the Cry Baby wah on Money for Nothing was the only significant pedal on the record; Knopfler thinks he may have picked up the Les Paul after listening to Peter Green's Need Your Love So Bad, a sound that was not distorted but was very powerful; he says the song has to open with the same four notes, because audiences do not accept another intro, and that he improvises from there, and bassist John Illsley calls the playing economical, two or three notes in a bar where it did not need fifteen; Knopfler wrote the song in 1982, the year of the Falklands War, and the band recorded the album with Neil Dorfsman at AIR Studios in Montserrat in the winter of 1984; it closes Brothers in Arms, released in May 1985, and came out as a single on 18 October 1985. A ballad lead has to sing over a slow band, so it needs sustain from a drive pedal or a pushed amp and room around the notes, with the mids kept in so it cuts without getting louder.
You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.
Brothers in Arms amp settings: a starting point
On a generic five-knob amp, start at Gain 5.5, Bass 4, Middle 7, Treble 6, Presence 6, Reverb 4, with the neck pickup, tone rolled off, as his guitar tech recalls it.
- Gain 5.5
- Bass 4
- Middle 7
- Treble 6
- Presence 6
- Reverb 4
- Signal chain
- No pedal documented: a Les Paul into a Marshall JTM45 and a Laney 4x12
- The control that matters most
- The guitar's tone control and sustain. Knopfler's guitar tech remembers him on the Les Paul's neck pickup with the tone rolled off, winding up the sustain and holding the notes, so use the neck pickup, roll your tone knob back and set enough gain for a note to bloom and hold without turning fizzy. The part is a few long notes rather than runs, so leave room and let each one ring.
These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. Your first match is free with an account, and needs no card.
Adapt these to my amp- Pickup
- Neck pickup, tone rolled off, as his guitar tech recalls it
These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.
What gear did Dire Straits use on Brothers in Arms?
A 1983 Gibson Les Paul '59 Reissue, bought at Rudy's Music in New York, which Guitar World says drove both this song and Money for Nothing; Mark Knopfler's guitar tech Ron Eve says he pushed him towards the Les Paul against some early resistance and remembers him, if he recalls it rightly, on the neck pickup with the tone rolled off, winding up the sustain and holding the notes, and Eve does not think the part could have been played on any other guitar; the amp of the sessions was Eve's own Marshall JTM45 into the studio's Laney 4x12 cabinet, an idea Knopfler thinks he took from the Bluesbreakers album, and the Cry Baby wah on Money for Nothing was the only significant pedal on the record; Knopfler thinks he may have picked up the Les Paul after listening to Peter Green's Need Your Love So Bad, a sound that was not distorted but was very powerful; he says the song has to open with the same four notes, because audiences do not accept another intro, and that he improvises from there, and bassist John Illsley calls the playing economical, two or three notes in a bar where it did not need fifteen; Knopfler wrote the song in 1982, the year of the Falklands War, and the band recorded the album with Neil Dorfsman at AIR Studios in Montserrat in the winter of 1984; it closes Brothers in Arms, released in May 1985, and came out as a single on 18 October 1985.
Sources: Guitar World: Brothers in Arms, Knopfler and his inner circle on its creation, Wikipedia: Brothers in Arms (song)
Tonelify reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.
How do you get the Brothers in Arms tone on your own amp?
Tell us your guitar, amp, and pedals
AI researches the original tone of Brothers in Arms
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Brothers in Arms tone questions
What amp settings do you need for Brothers in Arms?
On a generic five-knob amp, start at Gain 5.5, Bass 4, Middle 7, Treble 6, Presence 6, Reverb 4, with the neck pickup, tone rolled off, as his guitar tech recalls it. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same slow, singing Les Paul lead built from a few long, sustained notes from different positions.
What is the most important control for the Brothers in Arms tone?
The guitar's tone control and sustain. Knopfler's guitar tech remembers him on the Les Paul's neck pickup with the tone rolled off, winding up the sustain and holding the notes, so use the neck pickup, roll your tone knob back and set enough gain for a note to bloom and hold without turning fizzy. The part is a few long notes rather than runs, so leave room and let each one ring.
Can you get the Brothers in Arms tone without the original gear?
Yes. The original was tracked with a 1983 Gibson Les Paul '59 Reissue, bought at Rudy's Music in New York, which Guitar World says drove both this song and Money for Nothing; Mark Knopfler's guitar tech Ron Eve says he pushed him towards the Les Paul against some early resistance and remembers him, if he recalls it rightly, on the neck pickup with the tone rolled off, winding up the sustain and holding the notes, and Eve does not think the part could have been played on any other guitar; the amp of the sessions was Eve's own Marshall JTM45 into the studio's Laney 4x12 cabinet, an idea Knopfler thinks he took from the Bluesbreakers album, and the Cry Baby wah on Money for Nothing was the only significant pedal on the record; Knopfler thinks he may have picked up the Les Paul after listening to Peter Green's Need Your Love So Bad, a sound that was not distorted but was very powerful; he says the song has to open with the same four notes, because audiences do not accept another intro, and that he improvises from there, and bassist John Illsley calls the playing economical, two or three notes in a bar where it did not need fifteen; Knopfler wrote the song in 1982, the year of the Falklands War, and the band recorded the album with Neil Dorfsman at AIR Studios in Montserrat in the winter of 1984; it closes Brothers in Arms, released in May 1985, and came out as a single on 18 October 1985, but the parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order. Those translate to other equipment, which is what the adaptation step does.
Is Brothers in Arms a rhythm or a lead tone?
It is a solo part with a distorted character, from Dire Straits' 1980s rock ballad catalogue.
Does Tonelify cost anything to try?
Your first match for your own gear is free with an account, and needs no card. After that both plans start with a 7-day free trial: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.