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DistortedRiffBlues Rock1980s

Couldn't Stand the Weather

Stevie Ray Vaughan

A funky guitar and bass unison riff under stinging blues leads.

What is the Couldn't Stand the Weather guitar tone?

The Couldn't Stand the Weather guitar tone is a funky guitar and bass unison riff under stinging blues leads, heard on Stevie Ray Vaughan's 1980s blues rock recording. It is a distorted riff tone, and Stevie Ray Vaughan reportedly tracked it with a pair of 1963 Fender Vibroverbs, which Vaughan told Guitar Player in 1984 were the amps he used in the studio as on stage, numbers 5 and 6 off the production line, alongside the 150-watt Howard Dumble Steel String Singer he was playing at the time; Guitar World's account of the sessions has him cutting the album's Voodoo Child on his Number One Strat into that Dumble, a Dumble 4x12 and the two Vibroverbs, turned up to an earthshaking level, but does not say which guitar is on this song; his brother Jimmie Vaughan came by to play rhythm guitar on it and suggested a longer pause between statements of the opening riff, which Stevie cued live with a finger to his lips; the unison guitar and bass riff began as Tommy Shannon's idea with the first note on the second beat, and Vaughan moved it to the first; Guitar World says most of the album was cut live in single takes, with Vaughan standing by the drums without headphones, and Vaughan says that on some songs he played first and sang later; the band recorded in January 1984 with John Hammond as executive producer and Richard Mullen engineering, at the Power Station in New York by Vaughan's and Wikipedia's account, though Guitar World's feature also names the Record Plant; the album came out on 15 May 1984. This lives right on the edge of breakup, where the volume knob on the guitar does the real work between clean and dirty.

You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.

Couldn't Stand the Weather amp settings: a starting point

On a generic five-knob amp, start at Gain 4, Bass 5, Middle 6, Treble 6, Presence 5, Reverb 3, with the bridge pickup.

  • Gain 4
  • Bass 5
  • Middle 6
  • Treble 6
  • Presence 5
  • Reverb 3
Signal chain
Fender Vibroverbs and a Dumble, turned up loud (album era)
The control that matters most
Volume and the picking hand. The riff is a unison with the bass and Vaughan played the sessions loud, standing by the drums, so set the amp loud and only just past clean, keep the gain low enough that the riff stays tight against the bass, and dig in harder for the leads rather than adding drive.

These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. A first plan starts with 7 days free, $0 today.

Adapt these to my amp
Pickup
Bridge pickup

These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.

Does the Couldn't Stand the Weather tone sound off on your amp?

Pick what you hear. You get the knobs to turn from the starting point above, and how far.

What gear did Stevie Ray Vaughan use on Couldn't Stand the Weather?

A pair of 1963 Fender Vibroverbs, which Vaughan told Guitar Player in 1984 were the amps he used in the studio as on stage, numbers 5 and 6 off the production line, alongside the 150-watt Howard Dumble Steel String Singer he was playing at the time; Guitar World's account of the sessions has him cutting the album's Voodoo Child on his Number One Strat into that Dumble, a Dumble 4x12 and the two Vibroverbs, turned up to an earthshaking level, but does not say which guitar is on this song; his brother Jimmie Vaughan came by to play rhythm guitar on it and suggested a longer pause between statements of the opening riff, which Stevie cued live with a finger to his lips; the unison guitar and bass riff began as Tommy Shannon's idea with the first note on the second beat, and Vaughan moved it to the first; Guitar World says most of the album was cut live in single takes, with Vaughan standing by the drums without headphones, and Vaughan says that on some songs he played first and sang later; the band recorded in January 1984 with John Hammond as executive producer and Richard Mullen engineering, at the Power Station in New York by Vaughan's and Wikipedia's account, though Guitar World's feature also names the Record Plant; the album came out on 15 May 1984.

Sources: Guitar World: Stevie Ray Vaughan, Weather Report, Guitar Player: Stevie Ray Vaughan on his Number One Strat and Dumble amps (1984), Wikipedia: Couldn't Stand the Weather

Tonelify's tone matcher reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.

How do you get the Couldn't Stand the Weather tone on your own amp?

1

Tell us your guitar, amp, and pedals

2

AI researches the original tone of Couldn't Stand the Weather

3

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Couldn't Stand the Weather tone questions

What amp settings do you need for Couldn't Stand the Weather?

On a generic five-knob amp, start at Gain 4, Bass 5, Middle 6, Treble 6, Presence 5, Reverb 3, with the bridge pickup. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same funky guitar and bass unison riff under stinging blues leads from different positions.

What amp did Stevie Ray Vaughan use on Couldn't Stand the Weather?

Amp: Two 1963 Fender Vibroverbs and a Dumble Steel String Singer (album era). Guitar: Not placed on this song (his Number One Strat on the album's Voodoo Child). Sources: Guitar World, Guitar Player and Wikipedia.

What were Stevie Ray Vaughan's amp settings on Couldn't Stand the Weather?

None of the sources cited on this page gives Stevie Ray Vaughan's full amp settings on Couldn't Stand the Weather. The numbers here are a starting point for that kind of part, not the settings from the session, and Tonelify rewrites them for the amp and guitar you own.

How do you get Stevie Ray Vaughan's tone on Couldn't Stand the Weather?

Volume and the picking hand. The riff is a unison with the bass and Vaughan played the sessions loud, standing by the drums, so set the amp loud and only just past clean, keep the gain low enough that the riff stays tight against the bass, and dig in harder for the leads rather than adding drive. Play it with the bridge pickup.

What tuning is Couldn't Stand the Weather in?

Half a step down: Eb Ab Db Gb Bb Eb, low string to high, according to Wikipedia.

Source: Wikipedia: Stevie Ray Vaughan's musical instruments

Can you get the Couldn't Stand the Weather tone without the original gear?

Yes. The parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order, and those translate to other equipment. Tonelify's adaptation step works them out for the amp and guitar you own.

Does Tonelify cost anything to try?

A match for your own gear takes a plan, and a first plan starts with 7 days free with nothing charged that day: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.

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