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CleanRiffRock Ballad1970s

Dream On

Aerosmith

A dry, two-guitar arrangement of a piano part.

What is the Dream On guitar tone?

The Dream On guitar tone is a dry, two-guitar arrangement of a piano part, heard on Aerosmith's 1970s rock ballad recording. It is a clean riff tone, and Aerosmith reportedly tracked it with a two-guitar arrangement of Steven Tyler's piano part, which Brad Whitford told Guitar World's Alan di Perna in 1997 was just a transcription of what Tyler was doing with his left and right hands on the piano, and Tyler says that when he transposed it to guitar Joe Perry played the right fingers and Whitford the left hand, though no source read here names their guitars or amps on the take; the debut was recorded at Intermedia Studios, 331 Newbury Street, Boston, with producer Adrian Barber, and Wikipedia describes its production as for the most part sparse and dry, two guitars, bass, drums, a singer and occasionally piano; Perry wrote in his autobiography that Barber was practically useless, that the band sounded flat and that it pained him that his guitar was not cutting through, and he told Guitar World that he added what he thought it should sound like on guitar, to give it a different flavour and make it a little more of a rock thing; Tyler wrote the music on a Steinway upright in the living room of Trow-Rico Lodge in Sunapee, maybe four years before the band started, said the chordage came from lying under his father's piano as a child, and, Songfacts says, recounts putting the string section on while sitting at a Mellotron, after a breakthrough came when he bought an RMI keyboard; Perry told Classic Rock in 2002 that he did not appreciate the song's musicality until later, but knew it was a great song; released in June 1973, it peaked at number 59 on the Billboard Hot 100, and a reissue at the end of 1975 reached number 6 in April 1976. Here the guitars split a piano part between them, Perry on the right hand and Whitford on the left, on a sparse, dry recording, so the sound is two clean, separate guitars rather than one driven amp.

You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a clean channel on a modelling combo and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.

Dream On amp settings: a starting point

On a generic five-knob amp, start at Gain 2, Bass 4, Middle 6, Treble 6, Presence 6, Reverb 4, with the neck or middle position.

  • Gain 2
  • Bass 4
  • Middle 6
  • Treble 6
  • Presence 6
  • Reverb 4
Signal chain
No effect named; the album's production is sparse and dry
The control that matters most
Two clean parts, not one. The guitars transcribe Tyler's left and right hands on the piano, so keep the amp clean, split the parts between two guitars, the low line on one and the higher line on the other, and let the picking carry the dynamics.

These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. A first plan starts with 7 days free, $0 today.

Adapt these to my amp
Pickup
Neck or middle position

These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.

Does the Dream On tone sound off on your amp?

Pick what you hear. You get the knobs to turn from the starting point above, and how far.

What gear did Aerosmith use on Dream On?

A two-guitar arrangement of Steven Tyler's piano part, which Brad Whitford told Guitar World's Alan di Perna in 1997 was just a transcription of what Tyler was doing with his left and right hands on the piano, and Tyler says that when he transposed it to guitar Joe Perry played the right fingers and Whitford the left hand, though no source read here names their guitars or amps on the take; the debut was recorded at Intermedia Studios, 331 Newbury Street, Boston, with producer Adrian Barber, and Wikipedia describes its production as for the most part sparse and dry, two guitars, bass, drums, a singer and occasionally piano; Perry wrote in his autobiography that Barber was practically useless, that the band sounded flat and that it pained him that his guitar was not cutting through, and he told Guitar World that he added what he thought it should sound like on guitar, to give it a different flavour and make it a little more of a rock thing; Tyler wrote the music on a Steinway upright in the living room of Trow-Rico Lodge in Sunapee, maybe four years before the band started, said the chordage came from lying under his father's piano as a child, and, Songfacts says, recounts putting the string section on while sitting at a Mellotron, after a breakthrough came when he bought an RMI keyboard; Perry told Classic Rock in 2002 that he did not appreciate the song's musicality until later, but knew it was a great song; released in June 1973, it peaked at number 59 on the Billboard Hot 100, and a reissue at the end of 1975 reached number 6 in April 1976.

Sources: Wikipedia: Aerosmith (album), Wikipedia: Dream On (Aerosmith song), Songfacts: Dream On, Guitar World: Joe Perry looks back on Aerosmith in the 1970s

Tonelify's tone matcher reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.

How do you get the Dream On tone on your own amp?

1

Tell us your guitar, amp, and pedals

2

AI researches the original tone of Dream On

3

Get exact knob settings adapted to your rig

Dream On tone questions

What amp settings do you need for Dream On?

On a generic five-knob amp, start at Gain 2, Bass 4, Middle 6, Treble 6, Presence 6, Reverb 4, with the neck or middle position. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same dry, two-guitar arrangement of a piano part from different positions.

What amp did Joe Perry and Brad Whitford use on Dream On?

Amp: Not documented for this song. Guitar: Not documented for this song. Sources: Wikipedia, Songfacts and Guitar World.

What were Joe Perry and Brad Whitford's amp settings on Dream On?

None of the sources cited on this page gives Joe Perry and Brad Whitford's full amp settings on Dream On. The numbers here are a starting point for that kind of part, not the settings from the session, and Tonelify rewrites them for the amp and guitar you own.

How do you get Joe Perry and Brad Whitford's tone on Dream On?

Two clean parts, not one. The guitars transcribe Tyler's left and right hands on the piano, so keep the amp clean, split the parts between two guitars, the low line on one and the higher line on the other, and let the picking carry the dynamics. Play it with the neck or middle position.

Can you get the Dream On tone without the original gear?

Yes. The parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order, and those translate to other equipment. Tonelify's adaptation step works them out for the amp and guitar you own.

Does Tonelify cost anything to try?

A match for your own gear takes a plan, and a first plan starts with 7 days free with nothing charged that day: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.

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