Still Loving You
A slow power ballad that builds from a calm start to power chords and a singing lead.
What is the Still Loving You guitar tone?
The Still Loving You guitar tone is a slow power ballad that builds from a calm start to power chords and a singing lead, heard on Scorpions' 1980s rock ballad recording. It is a distorted solo tone, and Scorpions reportedly tracked it with the Marshall amps that Rudolf Schenker told Guitar Player he always used for recording or live work at the time of Love at First Sting, when he recorded Rock You Like a Hurricane on a 1958 Gibson Flying V, and the 1976 Gibson Explorer that Matthias Jabs told MusicRadar was used on the band's famous songs through to the mid-1980s, though no source read here places a guitar or an amp on this take, and the song's credits give both players lead and rhythm guitars; Schenker told Songfacts that he came up with the melody and spent about six years trying to get the song onto an album, Uli Jon Roth having rejected it around 1976 as too commercial, and that when Jabs came in with the guitar part the feeling was immediately right, so Klaus Meine wanted to write something very special for it, and he once told Jimmy Page that Stairway to Heaven inspired it; Songfacts describes the song as written in crescendo, a calm acoustic start followed by power chords; the album was begun at Polar Studios in Stockholm with stand-ins on bass and drums, but nothing from those sessions made the record, and after the band's 1983 US Festival show it was started again from scratch at producer Dieter Dierks' studio in Stommeln, West Germany, recorded digitally, which Schenker now thinks made the guitars sound a little clinical; released in June 1984 as the album's second single, it reached number 64 on the Billboard Hot 100, and Songfacts says it was especially popular in France. A ballad lead has to sing over a slow band, so it needs sustain from a drive pedal or a pushed amp and room around the notes, with the mids kept in so it cuts without getting louder.
You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.
Still Loving You amp settings: a starting point
On a generic five-knob amp, start at Gain 5.5, Bass 4, Middle 7, Treble 6, Presence 6, Reverb 4 for the power chords and the solo, with the neck pickup for body, bridge if the lead needs to cut. There is a second setting for the calm opening below.
- Gain 5.5
- Bass 4
- Middle 7
- Treble 6
- Presence 6
- Reverb 4
- Signal chain
- Marshall distortion on the loud sections (Schenker's amp of the time)
- The control that matters most
- Sustain on the lead, space at the start. The song builds from a calm opening to power chords, so keep the opening clean with room around the notes and give the lead enough drive to hold long notes, with the mids in, rather than more gain. Schenker says recording digitally made the guitars a little clinical, so do not add treble to match the record.
These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own. A first plan starts with 7 days free, $0 today.
Adapt these to my amp- Pickup
- Neck pickup for body, bridge if the lead needs to cut
These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.
Second sound
Still Loving You amp settings for the calm opening
For the calm opening, start at Gain 2, Bass 4, Middle 6, Treble 6, Presence 6, Reverb 4, with the neck or middle position.
- Gain 2
- Bass 4
- Middle 6
- Treble 6
- Presence 6
- Reverb 4
- Signal chain
- Straight into the amp
- Where the song switches
- Songfacts describes the song as written in crescendo: a calm acoustic start, then power chords as Klaus Meine sings in a voice full of pain.
- Pickup
- Neck or middle position
The same reference as the panel above: positions on a generic five-knob amp, a starting point rather than the settings on the record.
Does the Still Loving You tone sound off on your amp?
Pick what you hear. You get the knobs to turn from the starting point above, and how far. It works from the setting for the power chords and the solo.
What gear did Scorpions use on Still Loving You?
The Marshall amps that Rudolf Schenker told Guitar Player he always used for recording or live work at the time of Love at First Sting, when he recorded Rock You Like a Hurricane on a 1958 Gibson Flying V, and the 1976 Gibson Explorer that Matthias Jabs told MusicRadar was used on the band's famous songs through to the mid-1980s, though no source read here places a guitar or an amp on this take, and the song's credits give both players lead and rhythm guitars; Schenker told Songfacts that he came up with the melody and spent about six years trying to get the song onto an album, Uli Jon Roth having rejected it around 1976 as too commercial, and that when Jabs came in with the guitar part the feeling was immediately right, so Klaus Meine wanted to write something very special for it, and he once told Jimmy Page that Stairway to Heaven inspired it; Songfacts describes the song as written in crescendo, a calm acoustic start followed by power chords; the album was begun at Polar Studios in Stockholm with stand-ins on bass and drums, but nothing from those sessions made the record, and after the band's 1983 US Festival show it was started again from scratch at producer Dieter Dierks' studio in Stommeln, West Germany, recorded digitally, which Schenker now thinks made the guitars sound a little clinical; released in June 1984 as the album's second single, it reached number 64 on the Billboard Hot 100, and Songfacts says it was especially popular in France.
Sources: Songfacts: Still Loving You, Guitar Player: Rudolf Schenker on Rock You Like a Hurricane, MusicRadar: Matthias Jabs on his Explorers, amps and solos, Louder: Rudolf Schenker on rock history and Rock Believer, Wikipedia: Still Loving You, Wikipedia: Love at First Sting
Tonelify's tone matcher reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.
How do you get the Still Loving You tone on your own amp?
Tell us your guitar, amp, and pedals
AI researches the original tone of Still Loving You
Get exact knob settings adapted to your rig
Still Loving You tone questions
What amp settings do you need for Still Loving You?
On a generic five-knob amp, start at Gain 5.5, Bass 4, Middle 7, Treble 6, Presence 6, Reverb 4 for the power chords and the solo, with the neck pickup for body, bridge if the lead needs to cut, and at Gain 2, Bass 4, Middle 6, Treble 6, Presence 6, Reverb 4 for the calm opening, with the neck or middle position. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same slow power ballad that builds from a calm start to power chords and a singing lead from different positions.
Does Still Loving You use one amp setting or two?
Two. Songfacts describes the song as written in crescendo: a calm acoustic start, then power chords as Klaus Meine sings in a voice full of pain. On a generic five-knob amp, start at Gain 5.5, Bass 4, Middle 7, Treble 6, Presence 6, Reverb 4 for the power chords and the solo, and at Gain 2, Bass 4, Middle 6, Treble 6, Presence 6, Reverb 4 for the calm opening.
What amp did Rudolf Schenker and Matthias Jabs use on Still Loving You?
Amp: Marshall, Schenker's amp for all recording at the time (not placed on this song). Guitar: Not documented for this song; Schenker's Flying V and Jabs's 1976 Explorer were their guitars of the era. Sources: Songfacts, Guitar Player, MusicRadar, Louder and Wikipedia.
What were Rudolf Schenker and Matthias Jabs' amp settings on Still Loving You?
None of the sources cited on this page gives Rudolf Schenker and Matthias Jabs' full amp settings on Still Loving You. The numbers here are a starting point for that kind of part, not the settings from the session, and Tonelify rewrites them for the amp and guitar you own.
How do you get Rudolf Schenker and Matthias Jabs' tone on Still Loving You?
Sustain on the lead, space at the start. The song builds from a calm opening to power chords, so keep the opening clean with room around the notes and give the lead enough drive to hold long notes, with the mids in, rather than more gain. Schenker says recording digitally made the guitars a little clinical, so do not add treble to match the record. Play it with the neck pickup for body, bridge if the lead needs to cut.
Can you get the Still Loving You tone without the original gear?
Yes. The parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order, and those translate to other equipment. Tonelify's adaptation step works them out for the amp and guitar you own.
Does Tonelify cost anything to try?
A match for your own gear takes a plan, and a first plan starts with 7 days free with nothing charged that day: Stage is $6.99 a month for 20 matches, Headliner is $10.99 a month for unlimited matching within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both. Reading this page and the rest of the library costs nothing and needs no account.