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Mississippi Queen by Mountain album artwork
DistortedRiffHard Rock1970s

Mississippi Queen

Mountain

Big, fat single-guitar riff with a raw, singing bite.

What is the Mississippi Queen guitar tone?

The Mississippi Queen guitar tone is big, fat single-guitar riff with a raw, singing bite, heard on Mountain's 1970s hard rock recording. It is a distorted riff tone, and Mountain reportedly tracked it with Leslie West's Gibson Les Paul Junior into a Sunn Coliseum, a PA head that arrived when he was expecting Marshalls, through 4x12 cabinets; in one account he names a 50-watt Marshall into a Sunn cabinet instead. This is a mid-forward sound rather than a scooped one, and it usually sits closer to the edge of breakup than to full saturation.

You do not need that exact gear to land in the same place. What carries this sound is the gain structure, the EQ curve, the pickup choice and the order of the effects, and all four can be rebuilt on equipment that costs a fraction of the original. The numbers change from amp to amp, because a high-gain head and a small practice amp reach the same voicing from different knob positions. That translation is what Tonelify works out for the rig you actually own.

Mississippi Queen amp settings: a starting point

On a generic five-knob amp, start at Gain 6, Bass 5, Middle 6, Treble 6, Presence 6, Reverb 2, with the bridge pickup.

Gain
6
Bass
5
Middle
6
Treble
6
Presence
6
Reverb
2
Signal chain
Amp distortion → Delay on leads
The control that matters most
Middle. This is a mid-forward sound, not a scooped one. Scooping it is the single most common way players miss this tone.

These positions are free and they are a starting point. A Katana, a Spark and a valve head reach this voicing from different knob positions, so Tonelify rewrites every value above for the amp and guitar you own.

Adapt these to my amp
Pickup
Bridge pickup

These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. If you tell Tonelify which amp you own, it rewrites every value above for the controls that amp actually has.

What gear did Mountain use on Mississippi Queen?

Leslie West's Gibson Les Paul Junior into a Sunn Coliseum, a PA head that arrived when he was expecting Marshalls, through 4x12 cabinets; in one account he names a 50-watt Marshall into a Sunn cabinet instead.

Sources: Guitar Player: Leslie West decodes his Mississippi Queen tone, MusicRadar: Leslie West on Mississippi Queen, Wikipedia: Mississippi Queen

Tonelify reads that chain and translates it to the amp and guitar you already own, returning gain, bass, mids, treble and presence values along with a pickup position.

How do you get the Mississippi Queen tone on your own amp?

1

Tell us your guitar, amp, and pedals

2

AI researches the original Mississippi Queen tone

3

Get exact knob settings adapted to your rig

Mississippi Queen tone questions

What amp settings do you need for Mississippi Queen?

On a generic five-knob amp, start at Gain 6, Bass 5, Middle 6, Treble 6, Presence 6, Reverb 2, with the bridge pickup. These are positions on a generic five-knob amp with gain, bass, middle, treble and presence, each running 0 to 10. They are a starting point, not the settings used on the record, and they will not transfer unchanged to an amp with a different gain structure or EQ voicing. Tonelify rewrites the same values for the specific amp and guitar you own, because a high-gain head and a small solid-state combo reach the same big, fat single-guitar riff with a raw, singing bite from different positions.

What is the most important control for the Mississippi Queen tone?

Middle. This is a mid-forward sound, not a scooped one. Scooping it is the single most common way players miss this tone.

Can you get the Mississippi Queen tone without the original gear?

Yes. The original was tracked with Leslie West's Gibson Les Paul Junior into a Sunn Coliseum, a PA head that arrived when he was expecting Marshalls, through 4x12 cabinets; in one account he names a 50-watt Marshall into a Sunn cabinet instead, but the parts that define the sound are the gain structure, the EQ curve, the pickup position and the effects order. Those translate to other equipment, which is what the adaptation step does.

Is Mississippi Queen a rhythm or a lead tone?

It is a riff part with a distorted character, from Mountain's 1970s hard rock catalogue.

Does Tonelify cost anything to try?

Both plans start with a 7-day free trial and nothing is charged until it ends. Stage is metered and Headliner is unlimited within a fair use limit of 150 new matches a day, and yearly billing works out cheaper on both; the current prices are on your account page once you have one. Reading this page and the rest of the library costs nothing and needs no account.

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